Blauling explains his transition from heavier ballistic headgear to a civilian-focused FMA Bump SF helmet in multicam, a choice motivated by budget constraints and a lack of actual combat needs. He notes the helmet handles regular impact well when he inevitably misjudges door frames or ceiling heights. The core shell is personalized with custom padding to improve comfort over the factory version, and it retains replica military markings to satisfy the aesthetic demands of the sport.

A substantial portion of the presentation covers the extensive array of lighting and recording equipment mounted to the frame. The left side holds a white light clone protected by a cap to prevent accidental signaling, while a heavily taped, battle-damaged low-visibility light handles administrative tasks on the right. For filming, a customized action camera is anchored to the front shroud, connected via a snag-resistant angled cable to a 10,000 milliampere-hour battery pack acting as a counterweight in the rear pouch.

Hearing protection and face coverage complete the gear configuration. Blauling utilizes replica ear protection units that offer decent situational awareness, though he prefers to flip them up during close-quarters matches to rely entirely on his own ears before lowering them when flashbangs start deploying. His face protection strategy balances a modified mesh guard tucked under a balaclava for indoor games with prescription-inserted eyewear to ensure he can actually spot opposing players in the brush during outdoor events.